This Entangled Bank

Exact Audio Copy (EAC) (http://www.exactaudiocopy.de)

%A\%C\%N - %A - %T

as the default naming scheme and

%C\%N - %A - %T

as the “various artists” naming scheme. Under OPTIONS | TOOLS check the option to start an external compression queue running in the background, with just one thread.

LAME 3.97b3 (http://www.mp3dev.or)

The best MP3 encoder. Just upack the dos utility into a folder and then point EAC at the exe file under COMPRESSION OPTIONS | EXTERNAL COMPRESSION in EAC. Switches to use in ADDITIONAL COMMAND LINE OPTIONS in EAC:

-V 2 --vbr-new

(replaces --alt-preset standard) .

This will give Variable Bitrate recordings with a good balance between quality and portability at target rate 190kbit/s in the range 170 to 210kbit/s. The quality should be indistinguishable from the original CD

2. for audiobooks:

-V 9 --vbr-new

If you want to get more technical then check out the Hydrogen Audio forum, home of mp3 propellor-heads. Their Wiki page at http://wiki.hydrogenaudio.org/index.php?title=Lame_Compiles is an excellent overview of LAME and has useful links for further info on integrating with EAC etc.

Ephpod (http://www.ephpod.com/)

This simple app allows you to edit files on the ipod and move files on and off the ipod.

Media Center 12 (http://www.jrmediacenter.com)

Much better than Itunes. Highly customisable. Allows control over synchronisation so that files are only deleted from the ipod if you want. The use of “Smart Playlists” is particularly useful in synching. Easy to edit tags on multiple selections. Can create custom library fields to your own requirements. See the HELP for a good strategy for managing more than one Ipod. In order to get the Ipod to be properly recognised you may need to:

1. unistall itunes
2. use Ephod to backup your tunes if they’re not already on the machine you’re using
3. delete the file Ipod_Control\something-or-other\itunes.db
4. now Media Center should invite you to re-initialise the ipod. If it doesn’t try:
   1. rebooting
   2. reinitialise the ipod using Apple’s update util

You’ll know it’s working when the Media Center tree view no longer shows “Contacts” and “Calendar” and just shows Artist, Album, Genre

dbPowerAmp

use the Auxillary Input for ripping vinyl to lossless WAV format. Then convert to mp3. You can use EAC to do this via TOOLS | COMPRESS WAVs.

www.allmusic.com (http://www.allmusic.com)

For information about recordings and artists. Pretty much comprehensive information on classical and popular recordings. Search by album, artist, song, work etc. View tracklistings, discographies, biographies and reviews.

Last.fm (http://www.last.fm)

Fantastic resource for getting recommendations, reading biogs and seeing pics. Use a “scrobbler” to send information about what you listen to their servers to allow them to suggest other things you might like.

Surething CD Labeller (http://www.surething.com)

Labelling software which allows you to specify which fields you want displayed. e.g. you may want to display the [artist] field against each [track title] on compilations but not on single-artist CDs. It also can read in the “playlist” data automagically from CDs most of the time. (using “CD Text”?)

IF YOU HAVE MUSIC FROM THE ITUNES SHOP

SharpMusique (http://nanocrew.net/software/sharpmusique/)

A lightweight front end to access the Itunes music store. Allows you to preview, purchase and download. Requires Microsoft’s .NET runtime

JusteTune

Utility to remove the Apple copy protection from the .m4p files puchased from the itunes shop. I think the .Net runtime (above) is required for this one also. To use, 1) choose “de-authorize” 2) login in with your itunes store login 3) drag and drop the .m4p files into the application’s window.

JHymn (http://hymn-project.org)

Takes the JustTune idea to a higher level altogether with loads of features including Itunes integration

Well I don’t think I’ve been dreaming since 1991 when Radio 3’s Mixing It first started broadcasting interesting, mainly new, sometimes difficult music intelligently presented by muso odd-couple Mark Russell and Robert Sandall. Since then it has been a important source of new music and generally a beacon of creativity and esoterica.

A few weeks ago I was shocked to learn from Mark Pilkington’s Strange Attractor that the show had been axed. So I went to the Radio 3 website to learn more. And I found … nothing. The show’s web pages had been “disappeared”, there was absolutely no reference anywhere to the show, let alone an explanation of the rationale for taking it off air.

Luckily Strange Attractor had heard that Resonance104.4fm the “radio art station” of the London Musician’s Collective had given the show a new home. It is going out now on 104.FM at 11pm on Wednesdays under the name “Where’s the Skill in That?”, a catchphrase of the presenters, and is available over the internet also.

You can read a statement by Mark Russell here published before they found their new home at Resonance. Here’s a flavour:

Last November Roger Wright (Controller Of Radio 3) took Robert & I into the DG’s office at Broadcasting House in London for a short meeting (5 minutes max). His exact words were, and i remember them vividly because they puzzled me briefly, ‘I’m giving Mixing It a break and I have no plans to bring it back’. He offered no explanation other than to say it didn’t fit into his new schedule. He said he wanted Mixing It to fade away quietly – no publicity or big fanfares – he wanted his new schedule to get all that.

Nice way to treat people?